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TY - JOUR
JO - ARIES, Anuario de Antropología Iberoamericana
TI - ETHNO-ARCHAEOLOGY: A STUDY IN THE PREHISTORIC PAINTED ART CORRIDOR IN KAIMUR REGION OF SONBHADRA IN INDIA
VL - 
IS - 2019
PB - Asociación AIBR, Antropólogos Iberoamericanos en Red
T2 - ARIES, Anuario de Antropología Iberoamericana
PY - 2019
M1 - 
SN - 2530-7843
UR - https://aries.aibr.org/articulo/2019/20/493/ethno-archaeology-a-study-in-the-prehistoric-painted-art-corridor-in-kaimur-region-of-sonbhadra-in-india
DO - doi:
AU - Indrani Chattopadhyaya
A2 - 
A3 - 
A4 - 
A5 - 
A6 - 
A7 - 
SP - 
LA - Esp
DA - 20/09/2019
KW - 
AB - Spanish: Ethno-archaeology is a method of interpreting past human behavior by studying ethnographic behavior in the present. It defines archaeological consequences by studying living human population and its ultimate end is to explain processes and behavioral patterns of the past as accurately as possible. In this paper I intend to focus on the meaningful interpretation of prehistoric paintings found in the rock shelters of Kaimur Range in southern Uttar Pradesh (India) and compare them with the painting traditions among tribal societies living in the area namely - Kol, Kharwar, Baiga, Agariya, Gond and Dhungar. By studying painting traditions of local tribal population I have tried to understand their values, customs, traditions, and social relations among the tribes, as well as, with contemporary people. Taking archaeological sources into consideration I have tried to document and explain continuity and change in painting traditions (Parampara) over a long period of time. English: Ethno-archaeology is a method of interpreting past human behavior by studying ethnographic behavior in the present. It defines archaeological consequences by studying living human population and its ultimate end is to explain processes and behavioral patterns of the past as accurately as possible. In this paper I intend to focus on the meaningful interpretation of prehistoric paintings found in the rock shelters of Kaimur Range in southern Uttar Pradesh (India) and compare them with the painting traditions among tribal societies living in the area namely - Kol, Kharwar, Baiga, Agariya, Gond and Dhungar. By studying painting traditions of local tribal population I have tried to understand their values, customs, traditions, and social relations among the tribes, as well as, with contemporary people. Taking archaeological sources into consideration I have tried to document and explain continuity and change in painting traditions (Parampara) over a long period of time.
CR - Copyright; 2019 Asociación AIBR, Antropólogos Iberoamericanos en Red
ER -