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TY - JOUR
JO - ARIES, Anuario de Antropología Iberoamericana
TI - When «the descendants of the ships» began to mutate. Multicultural corporalities and sonorities in the argentine bicentenary (Silvia Citro)
VL - 
IS - 10
PB - Asociación AIBR, Antropólogos Iberoamericanos en Red
T2 - ARIES, Anuario de Antropología Iberoamericana
PY - 10
M1 - 
SN - 2530-7843
UR - https://aries.aibr.org/articulo/2021/17/3576/when-the-descendants-of-the-ships-began-to-mutate-multicultural-corporalities-and-sonorities-in-the-argentine-bicentenary-silvia-citro
DO - doi:10.11156/aibr.120104e
AU - Bashaw, Robert
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A4 - 
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SP - 
LA - Esp
DA - 17/03/2021
KW - Cultural policies, arts, sensuous experience, emotions, Argentina
AB - Spanish: <p>This article analyzes the celebrations of the Argentine Bicentenary in 2010, and especially
the historic-artistic parade organized by Fuerza Bruta in Buenos Aires. My hypothesis states
that this parade was one of the most important performances of the Cultural Policies during
the last decade to confront the traditional identitarian imaginary of White-European origin
of the Argentinians, associated to elites, and legitimize a new multicultural imaginary, associated to the popular. Furthermore, I discuss the theoretical and methodological importance
of analyzing music, dance and theater in order to understand the efficacy of this kind of
celebrations. Therefore, I examine the ways in which these esthetic expressions bring about
intense senses and emotions that operate as powerful iconic and indexical meanings among
participants. In this way, the cultural meanings and values that the ritual tries to legitimize
become desirable: in this case, a new imaginary about the Argentine identity, through a
festive ritual of national commemoration.</p> English: <p>This article analyzes the celebrations of the Argentine Bicentenary in 2010, and especially
the historic-artistic parade organized by Fuerza Bruta in Buenos Aires. My hypothesis states
that this parade was one of the most important performances of the Cultural Policies during
the last decade to confront the traditional identitarian imaginary of White-European origin
of the Argentinians, associated to elites, and legitimize a new multicultural imaginary, associated to the popular. Furthermore, I discuss the theoretical and methodological importance
of analyzing music, dance and theater in order to understand the efficacy of this kind of
celebrations. Therefore, I examine the ways in which these esthetic expressions bring about
intense senses and emotions that operate as powerful iconic and indexical meanings among
participants. In this way, the cultural meanings and values that the ritual tries to legitimize
become desirable: in this case, a new imaginary about the Argentine identity, through a
festive ritual of national commemoration.</p>
CR - Copyright; 10 Asociación AIBR, Antropólogos Iberoamericanos en Red
ER -